black cat wrote:Or indeed, it might sound better if you just removed it from whichever music player it is in, and hurled it over a cliff
yeah but on the same note, you might sound better if we removed you from whatever poota you're sat in front of and hurled you over a cliff, but as I wouldn't want that to happen to either you or TLTS then I guess we'll never know
Andy wrote:Remember that arsey compilation of tracks that was masquerading as TLTS? The base of Wake The F*ck Up was on there. (If WTFU is indeed what you linked to in your above post.)
If you listen to the start of the tune you can hear "fire" as in Spitfire which is why I assumed the above.
Not his best work IMO, but it might sound better if it was in better quality and at a thousand billion watts with enough bass to shake a mountain (as all Prodge stuff does)
you still got that track off the faux-TLTS then mate so i can have a squizz? I can't hear the word 'fire' in this track, which is the v low-quality version of WTFU, I personally think it's a pretty good tune, but like you say once it's heard in it's full glory with a million decibels of bass running through it then it'll be a whole lot better. Album arrives Jan 30th btw
Kyuss - Blues For The Red Sun
Kyuss - Welcome To Sky Valley
Kyuss - And The Circus Leaves Town
Queen - A Night At The Opera
The Prodigy - Dirtchamber Sessions Vol1 (Original Radio 1 broadcast demo)
Back To Mine - Liam Prodigy
Ballad Of The Broken Seas - Isobel Campbell & Mark Lanegan
just listening to the Liam one, bit disappointed coz it's billed as an after-hours party mix release, but Liam's idea of mixing on the first few tracks amounts to little more than removing the 2second gap between tracks, gets better towards the end of the disc mixing-wise but still a little disappointing for the man who would be musical god
